THE LIST

the 46 most recommended plays #parityraid

The following is this year's list of the most recommended new female-authored plays, as per our survey results. Each play is either unproduced or has had one professional production. They each received at least three or more nominations, and are listed in order of the most nominations received (up to ten). In the case of ties, plays are organized alphabetically by author. For more about the selection process, click here.


SWIMMERS by Rachel Bonds
 
contact Kate Navin / Gersh 
LIQUIDATION PLAY by Sarah Burgess
 
contact Jessica Amato / Gersh
WOMEN LAUGHING ALONE WITH SALAD by Sheila Callaghan
 contact Chris Till / CAA
SKELETON CREW by Dominique Morisseau
 
contact Jonathan Mills / Paradigm
HUNGER by Anna Moench
 
contact Kate Navin / Gersh
HANNAH AND THE DREAD GAZEBO by Jiehae Park
 
contact Michael Finkle / WME
LOTTIE IN THE LATE AFTERNOON by Amelia Roper
 
contact Antje Oegel / AO International
ORANGE JULIUS by Basil Kreimendahl
 
contact Beth Blickers / Abrams Artists 
IRONBOUND by Martyna Majok
 
contact Kate Navin / Gersh
THE CALL by Tanya Barfield
 contact George Lane / CAA
SERIAL BLACK FACE by Janine Nabers
 
contact Scott Chaloff / WME
ANNIE BOSH IS MISSING by Janine Nabers
 contact Scott Chaloff / WME
YOU FOR ME FOR YOU by Mia Chung
 
contact Antje Oegel / AO International
THE CONSULTANT by Heidi Schreck
 
contact Val Day / ICM
DRY LAND by Ruby Rae Spiegel
 
contact Scott Chaloff / WME
THE OREGON TRAIL by Bekah Brunstetter
 contact Derek Zasky / WME
THE WORLD OF EXTREME HAPPINESS by Frances Ya-Chu Cowhig
 
contact Antje Oegel / AO International
WHAT WOULD CRAZY HORSE DO? by Larissa FastHorse
 
contact Jonathan Mills / Paradigm
THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE by Madeleine George
 
contact Seth Glewen / Gersh
DIFFERENT WORDS FOR THE SAME THING by Kimber Lee
 
contact Seth Glewen / Gersh
OF GOOD STOCK by Melissa Ross
 
contact Jessica Amato / Gersh
ALL THE DAYS by Sharyn Rothstein
 
contact Di Glazer / ICM
THE TENTH MUSE by Tanya Saracho
 contact Mark Orsini / Bret Adams, LTD. 
THE COMPARABLES by Laura Schellhardt
 
contact Seth Glewen / Gersh
GRAND CONCOURSE by Heidi Schreck
 
contact Val Day / ICM
THE MOORS by Jen Silverman
 
contact Kate Navin / Gersh
MAN IN LOVE by Christina Anderson
 contact Mark Orsini / Bret Adams, LTD
BRIGHT HALF LIFE by Tanya Barfield
 
contact George Lane / CAA
BLISS (OR EMILY POST IS DEAD!) by Jami Brandli
 
contact Kate Navin / Gersh 
FUTURE THINKING by Eliza Clark
 
contact Derek Zasky / WME
HOLY DAY by Alexandra Collier
 contact Jessica Amato / Gersh
HONEY DROP by Erin Courtney
 
contact Antje Oegel / AO International
REALLY REALLY REALLY REALLY REALLY by Jackie Sibblies Drury
 
contact Antje Oegel / AO International
I'M GONNA PRAY FOR YOU SO HARD by Halley Feiffer
 
contact Di Glazer / ICM
I ENTER THE VALLEY by Dipika Guha
 
contact Mark Orsini / Bret Adams, LTD
THE TALL GIRLS by Meg Miroshnik
 contact Jonathan Lomma / WME
WAKE UP, MRS. MOORE by Julie Marie Myatt
 
contact Bruce Ostler and Mark Orsini / Bret Adams, LTD
ZEALOT by Theresa Rebeck
 
contact Chris Till / CAA
CATCH THE WALL by Gabrielle Reisman
 
contact gabrielle.reisman@gmail.com
SOMEWHERE FUN by Jenny Schwartz
 
contact Mark Subias / UTA
THE HUNTERS by Jen Silverman
 
contact Kate Navin / Gersh
TAILS OF WASPS by Stephanie Timm
 contact Mark Orsini / Bret Adams, LTD.
DON JUAN COMES HOME FROM IRAQ by Paula Vogel
contact Bruce Ostler / Bret Adams, LTD.
SEE BAT FLY by Kathryn Walat
 
contact Seth Glewen / Gersh
JEFFERSON'S GARDEN by Timberlake Wertenbaker
 
contact Julia Kreitman / The Agency
BOY by Anna Ziegler
 
contact Seth Glewen / Gersh

For a full listing of eligible nominated plays, click here.

For a list of voters, click here.

For more information about how The List was compiled, click here.

To nominate yourself as a voter for The List 2015, click here.